Sara Garifovna Sadykova is a great art worker of the Republic of Tatarstan. A lively mind and incredible talent are what made her name thunder in her native land and beyond. Singer, composer, actress. How many facets there were in this incredible woman!
Biography
Sara Sadykova was born on November 1, 1906 in the city of Kazan. Named by her parents at birth Bibisara, she grew up as an inquisitive child.
Over time, the affectionate prefix "Bibi" disappeared and the name Sarah, known in the world of Tatar art, remained.
Little Bibisara studied at a girls' school, and after graduation she was educated at a pedagogical college, already at that time showing her abilities. The teacher who first drew attention to Sarah's beautiful voice was Soltan Gabashi, who immediately offered her the leading role of Sahipzhamal in the play "Buz eget" (Beautiful youth).
The Commissariat of Public Education of the TASSR was overwhelmed by the singer's talent and sent her to study at the Moscow Tchaikovsky Conservatory.
She successfully combined her studies with work in the Moscow State Tatar Music and Drama Theater "Eshche" (Worker), organized and directed by her husband G. Aidarsky. Together with the troupe, she periodically went on tour around the cities of the country, where her singing and acting was enthusiastically received by the Tatar population.
Creation
In the 1920s, the musical era was illuminated by the staging of the first operas "Sania" and "Eshche" by Almukhametov, Vinogradov and Gabashi. The main role of Sania Gabashi was created precisely for Sadykova, who soon became her main performer. In 1930-1934. Sara Sadykova worked in the troupe of the Tatar Academic Theater, now known in Kazan as the Galiaskar Kamal Theater, performing the main parts of S. Saidashev's musical dramas. While the Tatar Opera Studio was founded at the Moscow Conservatory (1934), Sadykova improved her vocal art and studied with such famous masters of musical art of that time as M. G. Tsybushenko, V. F. Turovskaya, G. Sveshnikov, A. I. Hubert. Returning to Kazan, S. Sadykova became a soloist of the newly opened Tatar Opera and Ballet Theater (1939) and played all the leading parts of opera productions for ten years.
The Tatar opera developed not without the help of Sara Sadykova, who made a great contribution at the stage of its formation. In the 30s on the stage of Moscow female images.
The beginning of her career as a composer can be considered the tango "Expectation" on the verses of A. Erikeyev (1942). Apparently, this was not accidental, since this theater "Worker", as well as under the spotlights of the opera and ballet theater in Kazan, in which she was the leading soloist from 1938 to 1948, she created a lot of everyday dance was widespread in pre-war time. During the war years, tango was associated with a peaceful lifestyle and brought a touch of nostalgia for the pre-war peace days. After this song, they started talking about Sara Sadykova in all corners of the republic. And from that moment on, the Tatar musical life of the second half of the twentieth century could not be imagined without the songs of Sadykova. The success inspired the star of Tatar art.
The woman-composer discovered for the Tatar people hitherto unknown song genres - tango, foxtrot and blues. She can also be considered the founder of the everyday poetry of Tatarstan. Sadykova successfully managed to reunite the rhythm of Western European everyday dance with the intonation features of Tatar folk song by strong bonds.
S. Sadykova created her songs in close creative tandem with popular representatives of the authors of Tatar and Bashkir poetry. The most beautiful melodies sound to the works of S. Khakim, N. Dauli, N. Arslanov, G. Afzal, M. Karim, S. Bikkul, M. Nugman, H. Tufan, A. Erikeev, G. Zainasheva.
Most of the songs performed in theatrical performances thanks to Sadykova, meanwhile, began to live on their own and became an integral part of the musical life of the Tatar people.
“The pearl of Tatar art” - this is what the director, and also her husband, Gaziz Aydarsky called her.
Sara Sadykova is rightfully the successor of Salikh Saydashev's musical traditions. Her songs are rich in their thematic variety. Love and friendship, war and marches, lyrics, comic songs, heroic and patriotic odes, waltz and dance rhythms.
During her lifetime, Sara Sadykova received the national title "Tatar Nightingale", as her fans affectionately called her.
In 1977, Sara Sadykova was awarded the proud title of People's Artist of the Republic of Tatarstan, and she was also a laureate of the Gabdulla Tukai State Prize.
Sara Sadykova was admitted to the Union of Composers just two years before her death.
A family
In her youth, Sara Sadykova tied the knot with the actor and director Gaziz Aydarsky in Moscow.
The only daughter - Alfiya Aydarskaya, Honored Artist of the Republic of Tatarstan, ballerina, is still alive.
The great symbol of Tatar art was buried at the Memorial Cemetery of the Novotatar Sloboda in Kazan.
